source file: mills2.txt Date: Mon, 22 Jan 1996 23:01:20 -0800 Subject: Re: So you want to be a microtonal composer? From: puzan@pe.net (Matthew Puzan) Thanks for all of your rather warm responses to my thoughts on microtonal research. I have either scanned or thoroughly studied (or somewhere in between) all of the material that you suggest and found them all quite influential in forming my present opinions. Fokker, Vyshnegradski, et al, were only excluded from my thesis for the simple fact that projects, like human beings, must have limits. The paper was written with the foresight that I might, someday, have the opportunity to teach a course (or a section of a course) in methods of composition in extended tonalities and would be able use it for that purpose. Many of you have probably already read, first hand, all of the source material that went into the project and would glean little, if any, "new" information from it. However, it is not completely without merit to make comparisons of epitomized theories viewed in close proximity. So from that point of view you might find it at least amusing. I am hoping to publish segments of it at some point in the future, so you might see it pop up somewhere. Otherwise, I can produce and mail it for about $8. If you'd like a copy, send me a mailing address, and I'll get it out ASAP. Matt Puzan D.M.A. Received: from eartha.mills.edu [144.91.3.20] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Tue, 23 Jan 1996 08:51 +0100 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id XAA27039; Mon, 22 Jan 1996 23:50:53 -0800 Date: Mon, 22 Jan 1996 23:50:53 -0800 Message-Id: <9601230743.AA00781@ judy.cmlab.sfc.keio.ac.jp > Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu