source file: mills2.txt Date: Fri, 8 Mar 1996 10:39:59 -0800 Subject: Re: Mutiple octave division system From: Johnny Reinhard Thierry: This is the basis for polymicrotonality which I believe is a natural development of microtonal systems. Next year, Ivan Wyschnegradsky's theoretical work "Pansonority" will be released out of Geneva, Switzerland, edited by Patrice Criton. In it, Wyshnegradsky spoke of modulating between tuning systems, much as metric modulation. Johnny Reinhard American Festival of Microtonal Music 318 East 70th Street, Suite 5FW New York, New York 10021 USA (212)517-3550/fax (212) 517-5495 reinhard@ios.com On Fri, 8 Mar 1996, Thierry Rochebois wrote: > A few days ago, I thought of mixing 12/19/24/31/53 and others chromatic > scales into a piece of music. > > Passing from a 12 to a 19 scale will be a new way to "modulate" or to change > the color of the music during a piece of music. > > Does anyone ever tried such a thing ? > > > Thierry Rochebois > Received: from eartha.mills.edu [144.91.3.20] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Sat, 9 Mar 1996 02:16 +0100 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id RAA26081; Fri, 8 Mar 1996 17:16:01 -0800 Date: Fri, 8 Mar 1996 17:16:01 -0800 Message-Id: Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu