source file: mills2.txt
Date: Mon, 17 Jun 1996 07:32:38 -0700

Subject: RE: Bibliography

From: PAULE <ACADIAN/ACADIAN/PAULE%Acadian@mcimail.com>

These are from the bibliography from my forthcoming paper. These may or may 
not be in the tuning bibliography (the ones with an asterisk are 
specifically concerned with questions of tuning):

Blackwell, H. and Scholsberg, H. 1943. "Octave Generalization, Pitch 
Discrimination, and Loudness Threshold in the White Rat." Journal of 
Experimental Psychology Vol. 33 p. 407.

*Blackwood, Easley. 1991. "Modes and Chord Progressions in Equal Tunings." 
Perspectives of New Music Vol. 29 No. 2 pp. 166-200.

*Fokker, Adriaan D. 1975. New Music with 31 Notes. Verlag fUr systematische 
Musikwissenschaft GmbH, Bonn.

Goldstein, J. L. 1973. "An optimum processor theory for the central 
formation of the pitch of complex tones." J. Acoust. Soc. Amer. Vol. 54 p. 
1496.

*Keislar, Douglas. 1991. "Six American Composers on Nonstandard Tunings." 
Perspectives of New Music Vol. 29 No. 2 p. 177.

*Krumhansl, Carol L. 1987. "General Properties of Musical Pitch Systems: 
Some Psychological Considerations." In: Harmony and Tonality. J. Sundberg, 
ed. (q.v.) [My paper corrects a factual error in this paper.]

*Mann, Chester D. 1990. Analytic Study of Harmonic Intervals. Tustin, Calif.

*Meyer, Max F. 1929. "The Musician's Arithmetic: Drill Problems for an 
Introduction to the Scientific Study of Musical Composition." University of 
Missouri Studies Vol. IV. Columbia, Missouri.

Parncutt, Richard, 1989. Harmony: A Psychoacoustical Approach. 
Springer-Verlag, New York, p. 70.

*Partch, Harry. 1974. Genesis of a Music. Da Capo Press, New York.

Roederer, Juan G. 1975. Introduction to the Physics and Psychophysics of 
Music. Springer-Verlag, New York.

*Sundberg, J., ed. 1987. Harmony and Tonality. Royal Swedish Academy of 
Music, Stockholm.

Terhardt, E. 1974. "Pitch, consonance and harmony." J. Acoust. Soc. Amer. 
Vol 55 p. 1061.

*van Eck, C. L. van Panthaleon. 1981. J. S. Bach's Critique of Pure Music. 
Princo, Culemborg, The Netherlands.

Wightmann, F. L. 1973. "The pattern-transformation model of pitch." J. 
Acoust Soc. Amer. Vol. 54 p. 407.

*Yasser, Joseph 1932. A Theory of Evolving Tonality. American Library of 
Musiclogy, New York.


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