source file: mills2.txt Date: Sun, 7 Jul 1996 22:49:44 -0700 Subject: 7-limit harmony articles From: HFORTUIN@delphi.com I am currently researching the inclusion of chords with simple 7-limit intervals into late Romantic and jazz harmony in 19, 22, and 31-ETs .I am interested in problems like: While the 4/5/6/7 sounds like a purer Mm7, how does the presence of a good 7/4 approximation alter its functionality in the >12-ETs? I also plan to examine the use of some 11-limit intervals, and the beating unison heard with the harmony of the chromatic interval in the >= 22-ETs. I may also examine Vicentinos raised dominants in the Enharmonic Madrigals. I would like to know if I am missing any significant source material for this. I am primarily seeking theoretical writings, but would also appreciate scores and recordings. Within my personal library, or available at nearby universities, I have access to the following relevant or semi-relevant sources: --the Blackwood Etudes CD and scores --Blackwoods The Structure of Recognizable Diatonic Tunings --Blackwoods articles in Perspectives of New Music --Fokkers New Music in 31-Tones --<> and <> by Fokker --The Just Intonation Primer by David Doty --Mandelbaums dissertation --Xenharmonikon issue 7+8 --Partchs Genesis --Vicentinos Enharmonic Madrigals Am I missing anything important? Thanks for any help you can offer. Harold Fortuin Received: from eartha.mills.edu [144.91.3.20] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Mon, 8 Jul 1996 15:43 +0100 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id GAA17549; Mon, 8 Jul 1996 06:43:52 -0700 Date: Mon, 8 Jul 1996 06:43:52 -0700 Message-Id: Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu