source file: mills2.txt Date: Tue, 16 Jul 1996 23:19:45 -0700 Subject: Blabber & Smoke From: hyperpoodle@mail.sisna.com (Doren Garcia) Audiophiles, I'm not sure this little discussion of aesthetics is appropriate for this forum, but I don't think anyone can stop me so... For me the enjoyment of music is somewhat like enjoying tastes. For instance, when you are little, sugar is appealing but as you grow older the subtle, and actually BAD, tastes of wine and other unusual items become more interesting. I mention this because in reading 'tuning' it seems that quite a bit of discussion revolves around consonance, and how close the thirds and fifths are in each of the tunings. Personally, I crave the sour. I have noticed when I go to loud rock shows that, although the musicians strive to play in key, and tune, what I really enjoy is the out of twelve sounds among the multitudes of overtones and feedback. I think I like it sour and bitter with just a little sweet. I don't know, this is probably just me. Lately I've been thinking about what Ivor called 'transitionalizing' (?). It seems to me that the mental sensations created by transitionalizing are somewhat like taste (like puckering when contemplating lemons or pickles). >Gary Morrison's conceptual difficulties in working with multiple >simultaneous >tunings are probably what Ivor Darreg used to call a >"pseudo-problem." I'm not sure EXACTLY what this has to do with Mr. Chalmer's, and Mr. McLaren's above discussion, but what the hay. Just heard that 50,000 fans turned out for Michael Jackson's concert for the Sultan of Brunai. Is anyone familiar with the Resident's 'Theory of Obscurity'? Doren hyperpoodle@sisna.com Received: from eartha.mills.edu [144.91.3.20] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Wed, 17 Jul 1996 09:37 +0100 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id AAA28399; Wed, 17 Jul 1996 00:37:09 -0700 Date: Wed, 17 Jul 1996 00:37:09 -0700 Message-Id: <01I75Y5LL7SI9210Z0@delphi.com> Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu