source file: mills2.txt Date: Fri, 26 Jul 1996 18:25:24 -0700 Subject: Re: Werner "Journal of Psychology" Interval Expansion From: Gary Morrison <71670.2576@compuserve.com> I'm a bit behind in my E-mail, so this is in response to Brian Mclaren's quote of Heinz Werner in Journal of Psychology. Here's part of the quote: "A subject, when presented with a arelatively small interval of--let us say--0.12 of a semitone, at first may hear a very slight indefinite difference between the two tones, or even no difference at all. But when the same interval is repeated a great many times with the subject deliberately focussing his attention on the task of discerning a clear-cut interval, there will almost invariably be reported an apparent enlargement of the objectively constant interval." I can relate to this effect myself, along with a few other really strange interval-size change effects from repeated listening. Probably the strangest one to me is when I practice singing 7:6 vs 6:5 sub/minor thirds. When I practice those intervals only continuously for 5 minutes or so, I often find that when I quickly expand outward to sing 5:4s and 3:2s, the 5:4 sound like perfect fourths, and the 3:2s seem like octaves! Anybody else ever experienced anything like that? It's really a weird feeling. Received: from eartha.mills.edu [144.91.3.20] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Sat, 27 Jul 1996 06:25 +0100 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id VAA11732; Fri, 26 Jul 1996 21:25:14 -0700 Date: Fri, 26 Jul 1996 21:25:14 -0700 Message-Id: <960727042242_71670.2576_HHB66-15@CompuServe.COM> Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu