source file: mills2.txt Date: Sun, 28 Jul 1996 09:00:08 -0700 Subject: Eschatum & hyperoche From: COUL@ezh.nl (Manuel Op de Coul) Paul Erlich found the terms "hyperoche" and "eschatum" in my program, and I'll explain them here. This comes from Rasch's edition of Sauveur's work. They are two intervals named by Conradus Henfling (1648-1716), in a letter to Sauveur published by the Royal Academie of Sciences of Prussia in Berlin, in 1710. Henfling and Sauveur were constructing equal temperaments by assigning numbers of steps to basic intervals. Henfling started with the diatonic and chromatic semitones (in casu the Pythagorean limma and apotome) which he called "diatonum" and "chroma". He called the difference between the two "harmonie" (which is then the Pythagorean comma). The difference between chroma and harmonie is "hyperoche" and the difference between harmonie and hyperoche "eschatum". If you set them equal in size, and both one step, you get an octave of 50 steps. If one assumes the eschatum to be zero it gives an octave of 31 steps. Setting the hyperoche to zero leads to 19 and finally a zero harmonie to 12. Sauveur used a different method, he set the ratio of the comma to the chromatic semitone to an integer number. This leads to the systems 12, 19, 31, 43, 55 and 67 (0:1, 1:1, 1:2, 1:3, etc.). Later he made a table of equal temperaments which also included fractional ratios between the two, for instance 2:3 gives 50, 3:10 gives 141 and so on. Manuel Op de Coul coul@ezh.nl Received: from eartha.mills.edu [144.91.3.20] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Sun, 28 Jul 1996 23:36 +0100 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id OAA08608; Sun, 28 Jul 1996 14:36:53 -0700 Date: Sun, 28 Jul 1996 14:36:53 -0700 Message-Id: <199607282135.OAA08516@eartha.mills.edu> Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu