source file: mills2.txt Date: Tue, 30 Jul 1996 17:36:16 -0700 Subject: Journal of Psychology" Interval= PAULE Although I use 12 all the time, the >triads have a certain tension, an element of restlessness, (.....snip......) >Although it's a subtle difference, I >think much of the 12 tet canon (Classical & Romantic, whatever composers may >be in favor at the moment) depends on that restlessness for its musical >effect. I must ask the author if he is suggesting that "Classical" keyboard composers were using equal temperament? (Classical to me means from Bach to Chopin, so there may be some difference of labels here.) Regards, Ed Foote Precision Piano Works Nashville, Tn. Received: from eartha.mills.edu [144.91.3.20] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Wed, 31 Jul 1996 06:43 +0100 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id VAA11824; Tue, 30 Jul 1996 21:43:01 -0700 Date: Tue, 30 Jul 1996 21:43:01 -0700 Message-Id: <960731003339_445994659@emout07.mail.aol.com> Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu