source file: mills2.txt Date: Mon, 9 Sep 1996 14:14:42 -0700 Subject: RE: More on minor 7ths From: PAULE Harold Fortuin wrote, >Do NOT substitute the 7:4 over V for the diatonic scale degree 4--for melodic >purposes, use 4:3, and for dominant seventh chords, use 7:4 over V. What if the seventh of the dominant seventh chord *is* in the melody? Harold, why do you use equal temperaments at all? It it only for convenience? Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Tue, 10 Sep 1996 00:02 +0200 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA00162; Tue, 10 Sep 1996 00:03:36 +0200 Received: from eartha.mills.edu by ns (smtpxd); id XA00008 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id PAA17522; Mon, 9 Sep 1996 15:03:34 -0700 Date: Mon, 9 Sep 1996 15:03:34 -0700 Message-Id: Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu