source file: mills2.txt Date: Sun, 1 Dec 1996 07:01:42 -0800 Subject: My good deed for the week From: Kami Rousseau In Sherbrooke, where I live, the top gun in music is Gilles Dion, retired music teacher at the university. A month or two ago, when I presented him with an article I wrote about 53TET, he was not interested and did not even bother reading it. But... On our way to a Thanksgiving gig in NH, I had him listen to Gary Morisson's 88CET demo tape. Being a jazz trombone player, he could appreciate the sound of the subminor thirds in the dominant seventh chord. That's when it clicked. He was surprised of hearing all these xenharmonic chord progressions, that were very different from the regular ones, yet everything made sense. He found it refreshing and was happy to see that a young musician like me was searching for the perfect pitch. He asked if he could copy the tape and offered me private lessons, which is an honor for me, because he doesn't normally teach anymore. I believe that any serious musician, if well oriented on the subject of microtonality, will be interested in knowing more about other tunings. -Kami Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Sun, 1 Dec 1996 17:07 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA13632; Sun, 1 Dec 1996 17:09:01 +0100 Received: from eartha.mills.edu by ns (smtpxd); id XA13593 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id IAA26809; Sun, 1 Dec 1996 08:08:57 -0800 Date: Sun, 1 Dec 1996 08:08:57 -0800 Message-Id: Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu