source file: mills2.txt Date: Wed, 26 Feb 1997 18:48:28 -0800 Subject: what's real? From: Lydia Ayers Gary Morrison wrote (a couple of weeks ago): > But unlike psychoacoustic aspects, there are some structural aspects of >the theory of tuning and scales that are pretty much impossible to deny. >For example, it's easy to show that it's next to impossible to build a >scale of two identical tetrachords in most scales of less than 12 >steps/octave. That has important effects upon the sorts of melodies you >can realize in that tuning. Gary, Could you please explain why it requires a scale of 12 steps/octave to built an 8-tone scale? (i.e., if there are 4 steps in each tetrachord, there are 8 steps if both tetrachords are identical, although one of the steps is usually the octave of the first step). Lydia Ayers Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Thu, 27 Feb 1997 04:20 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA15845; Thu, 27 Feb 1997 04:20:08 +0100 Received: from ella.mills.edu by ns (smtpxd); id XA16015 Received: from by ella.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) id TAA29317; Wed, 26 Feb 1997 19:18:30 -0800 Date: Wed, 26 Feb 1997 19:18:30 -0800 Message-Id: <009B07BF6217CD0F.5C04@vbv40.ezh.nl> Errors-To: madole@mills.edu Reply-To: tuning@ella.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@ella.mills.edu