source file: mills2.txt Date: Tue, 4 Mar 1997 09:38:42 -0800 Subject: Was: Octo-tonal composing? (Paul E) From: Manuel.Op.de.Coul@ezh.nl (Manuel Op de Coul) From: PAULE >From rec.music.compose: >Matthew Fields wrote: > >> NB that this octotonic requires a symmetrical 4-note division of >> an octave; thus not every just or meantone tuning naturally lends >> itself to the construction of the octatonic. > >But tunings like 16-equal do, as Blackwood realized in his wonderful >etude in this tuning. 28-equal is another possibility, where there are >four disjoint circles of fifths and each octatonic scale implies a very >specific position on all four. This is probably an as-yet unexploited >resource. > >-Paul Erlich Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Tue, 4 Mar 1997 18:56 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA05928; Tue, 4 Mar 1997 18:56:07 +0100 Received: from ella.mills.edu by ns (smtpxd); id XA05922 Received: from by ella.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) id JAA00362; Tue, 4 Mar 1997 09:52:35 -0800 Date: Tue, 4 Mar 1997 09:52:35 -0800 Message-Id: <970304124041_207812464@emout01.mail.aol.com> Errors-To: madole@mills.edu Reply-To: tuning@ella.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@ella.mills.edu