source file: mills2.txt Date: Tue, 11 Mar 1997 17:55:53 -0800 Subject: Dominant 7th chord 4:5:6:7:8? From: Gary Morrison -------------------- Begin Original Message -------------------- "Even if perfectly tuned, the 4:5:6:7:8 chord is more tense than the 4:5:6:8 chord. Certainly it is still more so if the 7 is something else, as you say." -------------------- End Original Message -------------------- I for one agree. I too have found 4:5:6:7 very definitely functional as a dissonance. Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Wed, 12 Mar 1997 06:08 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA02629; Wed, 12 Mar 1997 06:08:42 +0100 Received: from ella.mills.edu by ns (smtpxd); id XA02627 Received: from by ella.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) id VAA07452; Tue, 11 Mar 1997 21:07:01 -0800 Date: Tue, 11 Mar 1997 21:07:01 -0800 Message-Id: <199703120505.AA01364@eceserv0.ece.wisc.edu> Errors-To: madole@mills.edu Reply-To: tuning@ella.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@ella.mills.edu