source file: mills2.txt Date: Mon, 14 Apr 1997 14:09:48 -0700 Subject: Re: April Fools, Wagner, UNABOM, Xfiles, Quantum Mechanics... From: smith@cnmat.CNMAT.Berkeley.EDU (Ronald Smith) Having played the prelude to Tristan (piano reduction) many times, I hear it in a minor. I don't think that this I don't think that this is too much of a stretch since all of the main cadences are either on I iv (IV), V and VI (deceptive) I am sure one can produce copious analytical documentation to support the a-minor key area, an octotonic basis or, what seems a stretch to me, an atonal reading of the piece. After all is said, the question is: What are you hearing and, perhaps, why? Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Tue, 15 Apr 1997 19:43 +0200 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA00482; Tue, 15 Apr 1997 19:43:18 +0200 Received: from ella.mills.edu by ns (smtpxd); id XA00480 Received: from by ella.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) id KAA26974; Tue, 15 Apr 1997 10:40:59 -0700 Date: Tue, 15 Apr 1997 10:40:59 -0700 Message-Id: <199704151602.JAA08644@sunatg3> Errors-To: madole@mills.edu Reply-To: tuning@ella.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@ella.mills.edu