source file: mills2.txt Date: Sun, 1 Jun 1997 19:48:29 +0200 Subject: Re: modes and tuning From: mr88cet@texas.net (Gary Morrison) > Am I correct in deducing that say Dorian mode uses exactly the same >note frequencies at which say Ionian mode was tuned in just intonation, >i.e. 9/8 5/4 4/3 3/2 5/3 15/8 2 9/4 ? That is definitely NOT true if you're taking those ratios relative to the tonic rather than to a C in particular. If you're taking those ratios relative specifically to a C, then that's as true as for any other tuning mode. By that I mean that there will be variations in what tuning for any particular tone is best for the particular situation. Comma differences are probably the most celebrated example of this. In some contexts tuning the D to 10:9 relative to C makes more sense than 9:8. Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Sun, 1 Jun 1997 20:01 +0200 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA06082; Sun, 1 Jun 1997 20:01:20 +0200 Date: Sun, 1 Jun 1997 20:01:20 +0200 Received: from ella.mills.edu by ns (smtpxd); id XA06084 Received: (qmail 18017 invoked from network); 1 Jun 1997 18:01:13 -0000 Received: from localhost (HELO ella.mills.edu) (127.0.0.1) by localhost with SMTP; 1 Jun 1997 18:01:13 -0000 Message-Id: <199706011357_MC2-17A7-D01A@compuserve.com> Errors-To: madole@mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu