source file: mills2.txt Date: Tue, 10 Jun 1997 06:08:08 +0200 Subject: Re: Harmonics & beats are better..(Paul E) From: HPBohlen@aol.com This message is a few days late due to a transmission hick-up. Paul Erlich (via Manuel Op de Coul) wrote: >Heinz Bohlen believes that difference tones to be the foundation of all harmony.< Close. More exact, however: Heinz Bohlen considers difference tones to be just first order combination tones. So what he really believes is that combination tones are the "foundation of all harmony" (thanks for that nice expression, Paul!). And if he lives long enough he might one fine day be going to prove it... Slightly deviating from Paul E, and more in tune with Daniel Wolf, he also believes that beats (like distant harmonics) add flavor to sounds (and thus have "musical significance) but are of no harmonical importance. (By the way, if somebody is interested enough in combination tones to try his (her) German on Helmholtz, he (she) might find the following source even more yielding regarding this specific issue: Husmann, H., Vom Wesen der Konsonanz. Mueller-Thiergarten-Verlag, Heidelberg 1953.) Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Tue, 10 Jun 1997 08:32 +0200 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA08902; Tue, 10 Jun 1997 08:32:09 +0200 Date: Tue, 10 Jun 1997 08:32:09 +0200 Received: from ella.mills.edu by ns (smtpxd); id XA08897 Received: (qmail 24124 invoked from network); 10 Jun 1997 06:31:57 -0000 Received: from localhost (HELO ella.mills.edu) (127.0.0.1) by localhost with SMTP; 10 Jun 1997 06:31:57 -0000 Message-Id: <339CF6E2.26E@dnvr.uswest.net> Errors-To: madole@mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu