source file: mills2.txt Date: Tue, 24 Jun 1997 23:26:29 +0200 Subject: Re: Temperaments/tyros/neophytes From: smith@cnmat.cnmat.berkeley.edu (Ronald Bruce Smith) Daniel Wolf wrote: >Rudolf Kolisch always made a point of tuning all four violin strings to t>he >piano when playing accompanied. His recording of the Schumann _Phantasie_> >is probably as close as one can come to 12tet violin playing. I am very curious as to whether Kolisch's fingerings employed many open strings. Ronald Bruce Smith CNMAT 1750 Arch Street Berkeley, CA 94709 smith@cnmat.berkeley.edu tel: (510)-643-9990 ext. 310 fax: (510) 642-7918 Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Wed, 25 Jun 1997 06:33 +0200 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA08978; Wed, 25 Jun 1997 06:33:22 +0200 Date: Wed, 25 Jun 1997 06:33:22 +0200 Received: from ella.mills.edu by ns (smtpxd); id XA08987 Received: (qmail 5389 invoked from network); 25 Jun 1997 04:33:09 -0000 Received: from localhost (HELO ella.mills.edu) (127.0.0.1) by localhost with SMTP; 25 Jun 1997 04:33:09 -0000 Message-Id: Errors-To: madole@mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu