source file: mills3.txt Date: Sun, 27 Jul 1997 04:02:47 +0200 Subject: Re : Neil's comments From: mr88cet@texas.net (Gary Morrison) >Regarding the recent controversy, I thought I'd mention that >I would be interested in hearing about list member's compositions >(operative word "about" - not everyone has audio!). I'm as >interested in theory as the next person, but I'm more interested >in seeing how it's applied. Any takers? Here's a brief rundown of the nature of my microtonal music: Most of it is in a "classical" style, in the general sense of the word, and it's generally fairly conventional except for the the tunings. I mostly write for small ensembles of orchestral instruments. My composition methodology usually involves the old approach of conjuring up the music in my head, writing it down little by little, and then performing it once it's all pretty much prenotated. I have begun recently, however, to vary that process more toward the "composing at the keyboard", or even improvisation-based approach. I perform the majority of it on my Ensoniq ASR-10, although I do some on guitar. I sequence it on my Mac IIfx running EMagic's Logic Audio (although thus far I haven't used the audio features yet). The best characterization of the most commonly-cited shortcoming of my music, it is that it sounds too "stark". That's partly inherent in the nature of small-ensemble music, which people aren't terribly familiar with these days. But also it's because of the comparatively sterile methods I use to produce my music. To that end I've been working recently on some more realistic sampling material. (That is when I'm not working 12-16 hours/day plus weekends like I have been for the past couple months!) I've also been working on some tools to manipulate sequences to make them more natural-sounding. But more importantly, I've been taking (soprano) saxophone lessons so that I can more expressively and efficiently use my WX-11 saxophone-fingered MIDI controller. SMTPOriginator: tuning@eartha.mills.edu From: adam.silverman@yale.edu Subject: Expressive Intonation PostedDate: 27-07-97 05:21:22 SendTo: CN=coul1358/OU=AT/O=EZH ReplyTo: tuning@eartha.mills.edu $UpdatedBy: CN=notesrv2/OU=Server/O=EZH,CN=coul1358/OU=AT/O=EZH,CN=Manuel op de Coul/OU=AT/O=EZH RouteServers: CN=notesrv2/OU=Server/O=EZH,CN=notesrv1/OU=Server/O=EZH RouteTimes: 27-07-97 05:21:18-27-07-97 05:21:19,27-07-97 05:20:20-27-07-97 05:20:21 DeliveredDate: 27-07-97 05:20:21 Categories: $Revisions: Received: from ns.ezh.nl by notesrv2.ezh.nl (Lotus SMTP MTA v1.1 (385.6 5-6-1997)) with SMTP id C12564E1.00126CE4; Sun, 27 Jul 1997 05:21:15 +0200 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA20721; Sun, 27 Jul 1997 05:21:22 +0200 Date: Sun, 27 Jul 1997 05:21:22 +0200 Received: from ella.mills.edu by ns (smtpxd); id XA20716 Received: (qmail 22830 invoked from network); 27 Jul 1997 03:21:15 -0000 Received: from localhost (HELO ella.mills.edu) (127.0.0.1) by localhost with SMTP; 27 Jul 1997 03:21:15 -0000 Message-Id: Errors-To: madole@mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu