source file: mills3.txt Date: Mon, 15 Sep 1997 12:50:24 +0200 Subject: Re: TUNING digest 1179 From: Charles Lucy On Mon, 15 Sep 1997 DFinnamore@aol.com wrote: > Message-ID: <970914170514_314762725@emout02.mail.aol.com> >........ > presented properly. You'd need to choose a tuning that would draw attention > to itself in all of its "weirdness" - hit 'em in the face with it. The more >........ > Europe would probably be more open to it than here in the US, since Techno is > apparently bigger there right now, whereas acoustic stuff is hot here. It's > just a lot easier to tune a synth than a piano or guitar. Easier?????? to what precision???? > > See Charles Lucy's site for a techo-ish band ostensibly using Harrison/Lucy > tuning. On the one hand, it sounds a little different than it would in > 12-tET; on the other, I think it could have been written in 12-tET so it > doesn't really seem to show the uniqueness of the tuning. It's a start, > though. Thanks for your enthusiasm David. In the morning, we shall be flying out from Hawaii to London to do just that ----- produce some more commercial music. I shall be working with James Sanger (arc-angel), and again we should be using a combination of acoustic and sampled/electronic audio to produce LucyTuned music. Certainly some of the LucyTuned Lullabies may have been written in 12tET; they are so "old" that who knows how their tunings originated. Sung? Everything James writes (usually on guitar) is sure to be LucyTuned. All his guitars are LucyFretted, and he has playing that way more than ten years now. James is left-handed, and all his guitars have had to be custom-built or modified. Many of the sounds that we have used are produced acoustically or with electric LT guitars and effects; the problem which we have constantly encountered has been pitch resolution on pitch-changed samples. It has sometimes been necessary to make seperate samples of each note to improve the limitations of current technology. (Suggestions for better tuning precision methods are welcomed) Referring back to the posting about MIDI pitchbend, I have used pitchbend, with one note per channel for many years, yet have never been satisfied with only 64ths of a semitone. Such crude resolution results in beating "mish-mash" compared to what can be produced with guitars or other acoustically based instruments. This is another call for tuning enthusiasts to "PLEASE NAG THE MANUFACTURERS to implement the MIDI TUNING DUMP!!!!!! on new gear." I have put some new gif diagrams (forgive my HTML) at: http://www.ilhawaii.net/~lucy This site also has links to WIO from Tokyo, and from there to arc-angel, in UK, where you can hear some of James's older tracks [including bits of his celebrated - "Spikey Message"]. lucy@hour.com SMTPOriginator: tuning@eartha.mills.edu From: mr88cet@texas.net Subject: Re: Software setup PostedDate: 15-09-97 16:00:30 SendTo: CN=coul1358/OU=AT/O=EZH ReplyTo: tuning@eartha.mills.edu $UpdatedBy: CN=notesrv2/OU=Server/O=EZH,CN=coul1358/OU=AT/O=EZH,CN=Manuel op de Coul/OU=AT/O=EZH RouteServers: CN=notesrv2/OU=Server/O=EZH,CN=notesrv1/OU=Server/O=EZH RouteTimes: 15-09-97 16:00:20-15-09-97 16:00:21,15-09-97 15:59:38-15-09-97 15:59:39 DeliveredDate: 15-09-97 15:59:39 Categories: $Revisions: Received: from ns.ezh.nl by notesrv2.ezh.nl (Lotus SMTP MTA v1.1 (385.6 5-6-1997)) with SMTP id C1256513.004CEE9E; Mon, 15 Sep 1997 16:00:18 +0200 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA01726; Mon, 15 Sep 1997 16:00:30 +0200 Date: Mon, 15 Sep 1997 16:00:30 +0200 Received: from ella.mills.edu by ns (smtpxd); id XA01716 Received: (qmail 3694 invoked from network); 15 Sep 1997 14:00:21 -0000 Received: from localhost (HELO ella.mills.edu) (127.0.0.1) by localhost with SMTP; 15 Sep 1997 14:00:21 -0000 Message-Id: Errors-To: madole@mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu