source file: mills3.txt Date: Sat, 3 Jan 1998 17:38:20 +0100 Subject: Horizontal and vertical From: gbreed@cix.compulink.co.uk (Graham Breed) Melodic notes do take part in the harmony, whether you like it or not. You may have lead and accompaniment using different pitch sets, but chords are everything. I also hold that harmony is as much about connecting chords as considering their properties in isolation. I quantify the "dissonance" of a chord change from the dissonance of the two chords taken together. If horizontal dissonance is too high, the harmony sounds arbitrary. If too low, it sounds weak. This is relevant to atonality, where you deliberately avoid both horizontal and vertical consonance. I don't agree that tempering resolves the conflict between melody and harmony. Melody works fine in JI, it's horizontal harmony that's the problem. The structure of a diatonic key puts a limit on the dissonance of chord changes within it. The prohibition against roots progressing by one scale step avoids the most dissonant changes. The idea of octave equivalence means you can't just keep playing inversions of the same chord, giving excessive consonance. Lots of people say that tonality is based on acoustic principles, but they never give you a full derivation. I think this has got something to do with it. SMTPOriginator: tuning@eartha.mills.edu From: "kris peck" Subject: Johnston, Schneider, Catler, tape swap PostedDate: 03-01-98 17:39:11 SendTo: CN=coul1358/OU=AT/O=EZH ReplyTo: tuning@eartha.mills.edu $MessageStorage: 0 $UpdatedBy: CN=notesrv2/OU=Server/O=EZH,CN=coul1358/OU=AT/O=EZH,CN=Manuel op de Coul/OU=AT/O=EZH RouteServers: CN=notesrv2/OU=Server/O=EZH,CN=notesrv1/OU=Server/O=EZH RouteTimes: 03-01-98 17:36:40-03-01-98 17:36:41,03-01-98 17:36:00-03-01-98 17:36:00 DeliveredDate: 03-01-98 17:36:00 Categories: $Revisions: Received: from ns.ezh.nl ([137.174.112.59]) by notesrv2.ezh.nl (Lotus SMTP MTA SMTP v4.6 (462.2 9-3-1997)) with SMTP id C1256581.005B3EE3; Sat, 3 Jan 1998 17:38:35 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA07323; Sat, 3 Jan 1998 17:39:11 +0100 Date: Sat, 3 Jan 1998 17:39:11 +0100 Received: from ella.mills.edu by ns (smtpxd); id XA07365 Received: (qmail 3325 invoked from network); 3 Jan 1998 08:38:14 -0800 Received: from localhost (HELO ella.mills.edu) (127.0.0.1) by localhost with SMTP; 3 Jan 1998 08:38:14 -0800 Message-Id: <199801031634.KAA10878@riptide.wavetech.net> Errors-To: madole@mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu