source file: mills3.txt Date: Sun, 2 Nov 1997 01:10:27 +0100 Subject: Dream House From: DMB5561719@aol.com Dream House is open again, until the end of June, when it closes for the summer. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * La Monte Young - Marian Zazeela Dream House Seven Years of Sound and Light 275 Church Street 3rd Floor Sound and Light Environment a time installation measured by a setting of continuous frequencies in sound and light Marian Zazeela Neon, Dream House Variation I (1989) Sculpture, Rune Window 1992 from Still Light Installation, Imagic Light (1993) from Light Environment, Magenta Day/ Magenta Night Realization Church Street 3rd Floor 1993 La Monte Young The Base 9:7.4 Symmetry in Prime Time When Centered above and below The Lowest Term Primes in The Range 288 to 224 with The Addition of 279 and 261 in Which The Half of The Symmetric Division Mapped above and Including 288 Consists of The Powers of 2 Multiplied by The Primes within The Ranges of 144 to 128, 72 to 64 and 36 to 32 Which Are Symmetrical to Those Primes in Lowest Terms in The Half of The Symmetric Division Mapped below and Including 224 within The Ranges 126 to 112, 63 to 56 and 31.5 to 28 with The Addition of II9. (1991 - Present NYC) Open Thursdays & Saturdays 2:00 to 9:00 PM and by appointment. Closed In the summer. Admissions, information, appointments: 212-925-8270 MELA Foundation 275 Church Street, bell # 3, 3rd floor New York, NY 10013 (information copyright (c) La Monte Young - Marian Zazeela 1993 Press Commentary on Exhibition: "... the multifaceted form of the 35-frequency construction of Young's current installation is the principal reason it changes hallucinogenically with every shift in perspective and why the tones freeze in place as long as one is perfectly still while the slightest gesture will startle forth unnamable, wildly plumed melodies from the luxuriant harmonic foliage. Zazeela's light sculptures have invariably, teasingly refused to surrender their entire secret to photographic reprodution, so much do they depend on the retinal impact of activated photons in real time and so much do they exploit, in ways analagous to Young's techniques, the creation of visual combination tones and an accumulation of after-images." -- Sandy McCroskey, 1/1, The Journal of the Just Intonation Network "Young's newest sine-tone sculpture shimmers and swirls as you walk around the room and, amazingly, when you freeze, it does too. Stay at least long enough to stare at Zazeela's Imagic Light and Ruine Window, which will imprint your retina with blues and purples you haven't felt before." -- Kyle Gann, The Village Voice "The visitor with an acute ear can actually 'play' the room like an instrument: explore the sound close to the wall, close to the floor, in the corner, or just standing still. Or lie on the floor and allow the sound to float you into heaven, slide you into hell, or transport you wherever you want to go. See if you agree with those who call Young's sound sculpture a precursor of ambient music. Zazeela's light installation, "Imagic Light," offers an intriuging complement to the sound, even though it is equally effective when viewed in silence. Using pairs of colored lights and suspended aluminum mobiles cut out in calligraphic shapes, Zazeela explores the relationship between object and shadow, making the tangible intangible, and vice versa. Enjoy the installation for its mesmerizing beauty, or try to analyze how the different colors are achieved, how the mobiles create the resulting shadows, or perspective the infinite number of symmetrical patterns in the room." -- David Farneth, Metrobeat Music Eternal Light Art * David Beardsley * DMB5561719@aol.com * * virtual dream house monitor * for the MELA Foundation * * http://www.virtulink.com/mela/main.htm SMTPOriginator: tuning@eartha.mills.edu From: "Paul H. Erlich" Subject: RE: Erlich's Theory PostedDate: 03-11-97 19:27:34 SendTo: CN=coul1358/OU=AT/O=EZH ReplyTo: tuning@eartha.mills.edu $MessageStorage: 0 $UpdatedBy: CN=notesrv2/OU=Server/O=EZH,CN=coul1358/OU=AT/O=EZH,CN=Manuel op de Coul/OU=AT/O=EZH RouteServers: CN=notesrv2/OU=Server/O=EZH,CN=notesrv1/OU=Server/O=EZH RouteTimes: 03-11-97 19:26:33-03-11-97 19:26:34,03-11-97 18:26:59-03-11-97 18:26:59 DeliveredDate: 03-11-97 18:26:59 Categories: $Revisions: Received: from ns.ezh.nl ([137.174.112.59]) by notesrv2.ezh.nl (Lotus SMTP MTA SMTP v4.6 (462.2 9-3-1997)) with SMTP id C1256544.00654B63; Mon, 3 Nov 1997 19:26:24 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA01517; Mon, 3 Nov 1997 19:27:34 +0100 Date: Mon, 3 Nov 1997 19:27:34 +0100 Received: from ella.mills.edu by ns (smtpxd); id XA01515 Received: (qmail 21193 invoked from network); 3 Nov 1997 10:27:14 -0800 Received: from localhost (HELO ella.mills.edu) (127.0.0.1) by localhost with SMTP; 3 Nov 1997 10:27:14 -0800 Message-Id: Errors-To: madole@mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu