source file: m1353.txt Date: Fri, 13 Mar 1998 09:55:15 -0800 (PST) Subject: Modes From: John Chalmers Charles: The ancient Greek names for the heptatonic modes are correct in your post. To avoid accidentals, the key of C major is used and the various modes occur as octave species in the order Mixolydian (B-b), Lydian (C-c), Phrygian (D-d), Dorian (E-e), Hypolydian (F-f), Hypophrygian (G-g), and Hypodorian (a-a'). The extinct Ionian mode was a G mode and the Aeolian and Locrian were A modes, but it is not known how these differed from the HP and HD modes. The Mixolydian was also called Hyperdorian and the lower A mode (on the note Proslambanomenos) was called Hypermixolydian and Hyperphrygian. (In Argos, it was outlawed because it had no ethos of its own, but was merely a lower octave repetition of the Hypodorian.) Greek music was based on a 15-tone two-octave gamut running in our notation from A-a-a', to which an accidental b-flat was added to illustrate modulation at the fourth. This system could be taken at various pitch levels (see below). The absolute pitch is not known and may have been irrelevant in any case. In musical practice, these modes were transposed so that the modal patterns of all 7 species moved into the middle range of the two octave system. Thus a system of pitch keys developed at roughly semitonal intervals. These keys took the names of the modes and new names (Hyperionian, etc.) were coined to complete a set of 15 keys or TONOI. The center of the system was also changed from Dorian (E) to Hypolydian (F) and two series of names were applied (high and low Dorian, etc.). In the Middle Ages, confusion arose between the keys and the modes and the order of the modal names was reversed. Schlesinger attributes this error to Boethius. Later, other ecclesiastical names were invented as musical practice changed. The plagal/authentic distinction developed at that time. To avoid confusion, one should always specify whether Greek or ecclesiastical nomenclature is being used unless the context is clear. --John